Monday
Sep142009

aggregate

Sometimes a paragraph, a line, or a passage is enough to carry the whole.

A recent news-feature in the Oregonian has stayed with me for days. I don't usually care for first-person news stories (too much reporter, not enough story) but in a piece about emergency food pantries, writer Inara Verzemnieks poetically replaced data with humanity to deftly capture the core of ache:

As I restock bags of beans, I can hear her voice, raw and sustained, outside the door, wondering what she will do now, and I think about how at certain times in our lives, it's the aggregate of little things that threaten to crush us. But that also means, as trite as it sounds, it's an aggregate of little things that might also carry us through.


Read the full story here.

Monday
Sep142009

And the winner is . . .

Many thanks to those who entered the drawing to win Catching the Limit by Mark Thalman. Entries arrived via blog comments and email pleas. From a blind drawing, we are pleased to announce the winner is . . . .

Jerry Luger of Corvallis, Oregon.

Thanks to everyone for tuning in, reading on, and taking part. Get your copy of Catching the Limit at www.markthalman.com. Or urge your local library to purchase a copy so even more readers can enjoy the poems.

Friday
Sep112009

500 words

Morning Pages

Timed Writing

500 Words

It’s all the same. All attempts to provide some structure and productivity to creativity.

At Inkygirl, Debbie Ridpath Ohi offers a word-count challenge. I balked at first.

500 words. Do I really need a gimmick to get me to write? Do I really need a regime, a routine, an edict to create?

As a writer, I shouldn’t need structure or rules to make me produce. If I’m a writer, I will write. Do painters say, I must paint for 10 minutes today. Or I have a painting schedule ?

As a writer, do I really need rules and schedules?

Yes, sadly, yes.

Because, unlike painters, dancers and others artists, I avoid what I love. I avoid writing even when writing is what I love most.

It’s perverse, and over the years I’ve filled days and journals writing too much about not writing.

There’s no shortage of get-to-it books: The Artist’s Way, The War of Art, Writing the Life Poetic, and scores of online workshops and retreats.

They are good and helpful and I always feel grateful for the boost. The trouble is the writer-high is too darn short. I fall back and away. Like my morning jog, it never feels easy.

I think it will. Every morning I run (well, a slow jog, really), I expect to feel better, go faster, have more endurance. But everyday I am just grateful to get through it. As I slog to the end, I feel a buzz of accomplishment and that’s what gets me going again the next morning.

Here's the kernel of truth stuck in my stubborn back molar: Writing is an exercise. Like my jogging, writing may never get easier but my creative muscles do get tuned and ready each time I show up. And the sense of accomplishment does always arrive at the end.

500 words. Yes! I showed up. I wrote.

It’s a routine. A schedule. A commitment. And it keeps me going.

How about you?

Thursday
Sep032009

Writer Revealed - Mark Thalman

WIN this book!
Scroll down to enter.

Welcome to the second installment of Writer Revealed, an occasional series featuring interviews with writers who intrigue and inspire.


An English teacher for 26 years, Mark Thalman has an impressive body of work as a Poet-in-the-Schools, an assistant poetry editor for Northwest Review, and a board member of the Portland Poetry Festival. His book of poems was published this summer. (Win a free copy! See details below). He was born and raised in Eugene, Oregon and now lives in Forest Grove, Oregon.

Congratulations on the publication of Catching the Limit! You have been widely published in journals and anthologies. Is this your first book?

Yes. It’s been a long journey getting this manuscript published. Holding the book in my hands almost doesn’t seem real. Like so many writers, it’s difficult finding a publisher or winning a contest. This manuscript has been a semi-finalist for the Walt Whitman Award and a few other contests. Four years ago, it was selected to be part of Bedbug Press – Fairweather Books, Northwest Poetry Series.

Why is Catching the Limit dedicated to your parents and grandparents?

My parents were always very supportive and positive about getting a good education. When I was growing up, they gave me a lot of opportunities: snow skiing, playing golf, fishing, guitar lessons, taking us on trips around Oregon. My mom read Tom Sawyer and Huckleberry Finn to me when I was about five. She loved taking my sister and me to the public library to check out books. My grandparents, who were great story tellers, used to own the Willamette Pass Ski Area and had a cabin at Odell Lake. That’s where many of the poems in the second section of the book take place.

Please tell us about your writing process.

I write like an artist paints. (If you visit my website, you can also see some of my paintings.) Some poems may take a few months to finish, others have taken 16 years. A lot of times, a poem will be almost finished, but I am waiting to learn or discover what it needs to give it that finishing touch. Some poems go through a lot of revisions, others don’t. If I can write a few good lines each time I sit down, I’m satisfied.

What is your writing style?

I write lyrical poetry. Each word has its own music, and a poem has to sound right and have a presence on the page. I like to have internal rhymes, but not hard rhymes at the end a line. I love good similes and metaphors. It’s probably just easier to read you a few lines from “North Umpqua, Summer Run” so you get the idea.

In a smooth flash of motion,
deft as a blade, the fish strikes
and the surface explodes.

Trembling violently in air,
amid spray and foam,
the steelhead blazes like a mirror catching sun,
falls back, extinguishing the fire,
only to lift again,
a flame out of water.

Your poems have such a rich sense of landscape and place – specifically Oregon. Do you consider yourself a regional poet, a nature poet?

Someone said that all writing in some sense is regional, but when I sit down to write, I don’t think of myself as a regional or nature poet. Catching the Limit is about the Oregon Coast, the Willamette Valley, and the Cascades. Sure, I am interested in how a whole forest continually renews itself as in my poem, “In the Silence of a Pine Cone Falling”, or how different trees decompose in “Blowdown." There is a lot of nature in the book, but hopefully the themes and the “human condition” will transcend any regional boundaries.

Your work wonderfully combines your specific experiences/observations with universal understanding. How do you do this, and is it intentional?

(Laughs briefly and good naturedly.) Sometimes “art” happens! I can only think of a couple of poems where it is intentional. Such as the last line in “On the Dock at Evening” where the narrator says, “I have lived my life for just this moment.” That line is a response to James Wright’s well known poem “Lying in a Hammock at William Duffy’s Farm . . .” where his narrator claims, “I have wasted my life.”


One of my favorite poems is one I read several years ago in Ingrid Wendt’s, Starting With Little Things: A Guide to Writing Poetry in the Classroom. I’ve used your poem, “Born in Oregon” in numerous writing workshops with youth, and it was such a treat last spring to meet you and hear the poem in person.

Born in Oregon

Some days I am a fir. Squirrels eat from my limbs.
Other days I am a rhododendron. My genes are coded
as cuneiform. Toadstools and moss grow in the caverns
of my lungs. I am accustomed to the sky,
gray as wax paper.

What is your favorite poem in Catching the Limit and why?

I don’t have a favorite. It depends on my mood. My poems are like children, and I try to treat them equally. I like it when people tell me what their favorite is. Everyone has their own experiences and perceptions they bring to a poem.

Do you have a tight group of poet friends? And how would you suggest others cultivate a writing network?

Yes, I have a group of poet friends, most who I’ve known for a long time. However, people have become so spread out, its really the Internet that makes staying in touch possible. Over the years, my wife, Carole, has become one of my best editors, because she’s seen so much of my work and understands what I am trying to do. As far as cultivating a writing network, if a person attends writing workshops, they might find some like minded poets who want to start their own poetry group.

Where can we get your book?

Presently, Catching the Limit, can be ordered from my website, markthalman.com. Unfortunately, Tony Gorsline, my publisher, passed away this summer from cancer. With Tony’s passing, Bedbug Press – Fairweather Books did not survive, so I don’t have any small press distribution at this time. However, I will be giving some readings at bookstores, and I’ll be signing books after my reading at Wordstock (in Portland). In a few months, you should be able to find it on Amazon.com. However, if you purchase it from my site, you will always get an autographed copy, and I’ll ship it to you right away.

See Mark Thalman this fall!
Looking Glass Bookstore
Portland, Oregon
Beyond Forgetting - Poetry Reading
Saturday, September 19, 2009, at 3pm
A reading featuring: Tess Gallagher, Holly Hughes, Alice Derry, Joseph Green, Kake Huck, Judith Montgomery, Drew Myron, Paulann Peterson, and Mark Thalman.

Wordstock
Portland, Oregon
Oregon Convention Center
Sunday, October 11, 2009 at 3pm

* WIN a copy of Catching the Limit!
It's easy. To enter, simply write a comment below, or send an email to dcm@drewmyron.com. Provide your name and contact information. A winner will be selected at random from the entries. But hurry! All entries must be received by September 12, 2009. The lucky-ducky-limitless winner will be announced here.


Sunday
Aug302009

Font nerds

Comic courtesy of Debbie Ridpath Ohi, a Toronto-based freelance writer, illustrator and the creator of InkyGirl.com