Thankful Thursday: tinywords

Because appreciation increases joy, it's Thankful Thursday. 

What are you thankful for today? A person, a place, a thing? A story, a song, a poem? Please join me for Thankful Thursday. I'd love to hear what makes you smile. Share yourself —  with a comment below, or with a posting on your blog (please link back to this page so we can share in your thankfulness).

I've found the more I appreciate, the more I see to appreciate. Joy expands and contracts in direct relation to our sense of gratitude. Tell me, what makes your world expand? 

• • •

Today I am grateful for tinywords. With a clean design, tinywords is an elegantly simple online journal offering a daily dose of micropoetry. Each day a new short poem stands in distilled light. Words, when pared, shine. 

"Poetry is language under compression," explains D.F. Tweney, founder/editor of tinywords, in an online interview. "And there's no more compressed form than the very short poem." 



Sharpie Poems 

Inspired by Austin Kleon's Newspaper Blackout Poems, and desperate for a creative jolt, I got out the Sharpie and made poems of elimination. 

Have you tried Blackout Poems? They are fun, sometimes easy, and a great way to exercise the poetic muscle. Some poems struggle to make sense while others emerge unexpectedly meaningful. Either way, it's good fun — and better than hours on the couch dazed and glazed over Say Yes to the Dress 

The Lost Voice

After the rain,

friends wanted to hear him sing

In a thrift store, the research began. 

Flipping through vinyl, he learned 

almost anything is worth 25 cents. 


There may be consequences

Make necessary concessions

Every bump could loom large

You may cling to the past

Move forward

Write your imagination



Writing A Story


Thankful Thursday: Summer Skirts

It's Thankful Thursday. Let the gratitude begin!

Is there anything better than the summer skirt?

Cotton, linen, silk

A-line, pencil, fitted, flared

Dressed up or knocked down

My love of the flutter-in-the-breeze summer skirt is only matched by my love of the summer sandal, which is only trumped by my favorite place to find these fashionable goods:  the resale shop! 

I'm not new to the resale revolution. My thrifting affinity started in high school (trench coats and men's blazers from Value Village, circa 1980s) and later evolved into vintage sweaters and dresses (from Denver's Barbareeba, circa late 1990s). While my fashion tastes have changed, my frugal ways remain. And the summer skirt — a symbol of carefree, sunshiney days — is always my favorite find. 

In the last few weeks,  I have scored unusually great goods at:

Second Glance, and its little sister store, the Annex, in Corvallis, Oregon
A consignment shop that 'revolves' clothes (rather than resells, a distinction I appreciate for its creative semantics). Hip, funky and fun, Second Glance is geared to the female adult, while the Annex has a steady college-age following. 

Goodwill on 10th, in Portland, Oregon
Described by one shopper as a thrift store for "better heeled bargain hunters." Store managers carefully 'edit' donations and sell gently-used clothes with mid to high-end labels. 

Thank you, resale shops, for being a low-cost purveyor of (affordable & fashionable) summer joy!



Writer Revealed: Susan Rich 


Lately, I am capable of small things.

Peeling an orange.
Drawing a bath.
Throwing the cat's tinsel balls.

Believe me, this is not unhappiness.

Only one question—
why this layering on of abeyance?

Though it is winter inside of me —

  there is also spring and fall.

Yellow tulips in need of planting
root in a basket by the door. 


— an excerpt from Letter to the End of the Year
from The Alchemist's Kitchen by Susan Rich


An Interview with Susan Rich

Susan Rich is a poet, activist and educator. The author of three poetry collections, her latest book The Alchemist's Kitchen was published in April 2010. She has worked on staff for Amnesty International, as an electoral supervisor in Bosnia Herzegovina, and as a human rights trainer in Gaza and the West Bank. Rich lived in the Republic of Niger, West Africa as a Peace Corps Volunteer, later moving to South Africa to teach at the University of Cape Town on a Fulbright Fellowship. She now lives in Seattle, Washington and teaches at Highline Community College.

In recommending your latest collection of poems, poet Jane Hirshfield praises your “kaleidoscopic curiosity” and your “powerfully kinesthetic language.”  What influences or inspirations led you to poetry, and to your “powerful and compassionate” poems? 

As an undergraduate, I was lucky enough to study with Madeline DeFrees and she introduced me to the work of Carolyn Forche. The Country Between Us was a pivotal book for me. Here was a woman, a young woman, who had traveled outside of the United States to El Salvador and who had come back to write poems concerning things that mattered — life in extremity. I had just returned from two years living outside the United States as well and wanted to believe that I, too, had permission to write about my life.

The Alchemist’s Kitchen is a wonderful blend of the everyday and the ethereal, and includes many poems inspired by paintings and photographs. What is your favorite poem in this collection? Why?

Oh dear. My favorite? Isn’t that a bit like asking a parent to choose their favorite child? I can’t do it. But what I can do is choose several favorites with the caveat that these “favorite” categories are fluid.  If you were to ask me tomorrow, the choices I’d make would be different. Given that I am in the throws of planning a reading for tomorrow night, I can focus on poems that are fun to read — that are meant for the air. One of these is “Mr. Myra Wiggins Recalls Their Arrangement.” It’s a persona poem in the voice of Myra Wiggins’ husband. I had never written from a man’s point of view before and I found it oddly liberating. “The 4 O’ Clock News @ House of Sky” is a poem that I like to read aloud. This poem is dedicated to my very dear friend, the poet Kelli Russell Agodon. I wrote it while in Spain but it concerns our friendship and goes off in some strange directions. The most personal poem in the book might be “The Never Born Becomes of Age” and what I like about it is that I did not want to write it, yet it persisted. I like to write poems that I don’t want to write. 

Can you tell us about the title of your book? Where it came from? What it means to you?

The title of this collection came to me far more easily than the titles of either of my past books. I was re-reading Denise Levertov’s New and  Selected Essays – many of which were written I believe — during her time in Seattle. In her essay Biography and the Poet (1992), Levertov  takes up the question of literary biography of poets (and by extension, she expands, all biographies) as to whether we need to know about the drugs and dalliances of the life or if they are “the chaff which the the imagination has discarded.” For the most part, she rallies against being too inquisitive regarding the facts of the poets life. But the essay is balanced with praise for certain biographies such as Walter Jackson Bates Life of Keats, where the biography is in service to the poems or to essays or journal pages some poets had published.  Sometimes, Levertov says, understanding the life of the poet  “one is grateful for a glimpse into the alchemist’s kitchen.” I immediately felt myself drawn to the phrase. 

I’ve re-interpreted Levertov’s original sense of looking at a poet’s memoir or biography being the alchemist’s kitchen to the poems themselves being the material of alchemy — the ordinary objects turned to gold. In researching more on the nature of alchemist– in its original meaning – I learned that Alchemy has a double origin in Greek philosophy and Egyptian texts. That the origins of the word itself is thought to be Arabic. But what fascinated me the most was that the alchemists were not merely interested in turning base metals into gold but that there was a spiritual discipline and that the transformation of metals was secondary to the wisdom that the alchemist would himself attain through their work. One of my favorite quotes by the poet Stanley Kunitz goes like this: “the first task of the poet is to create the person who will write the poems.” So to answer your question, I’ve used the term “alchemist’s kitchen” as a metaphor for the process of writing poems. That said, I also am a great lover of food — growing it, preparing it, bringing friends together to enjoy it. 

You teach community college students. How do you balance your work teaching and encouraging students with your own writing and book promotion? 

Your question implies that there is balance in my life. Hmm. Most of my own writing happens during the summer, over winter break and on sabbaticals. I think that’s why I’ve embraced the technology of the blog. I began the blog this past November as an experiment. I’ve been surprised at how much I’ve enjoyed the blogosphere — and I suspect it is because I can maintain a small handhold on my creative life even during term time. My teaching life is also creative, but in a different way. 

Your book was recently published and you’ve embarked on a tour that includes both the traditional (bookstore readings, print interviews, etc) and non-traditional (in-home ‘salon’ readings, virtual readings and interactive readings, etc). Where is your ideal reading?  

My ideal reading? I would like to read in a really wonderful restaurant. A place that uses as much locally grown food as possible and that’s housed in an old building. Maybe the building is made of stone and was once a dance hall or flour mill. After a scrumptious meal and perhaps a bit of live music — while the guests tapped the tops of their crème brulee, I would read my poems. I would read food poems about “glazed florentines and praline hearts” or “tiramisu and lemon tarts.” I’ve read my poems in a variety of venues, but I’m still waiting to be asked to read in a restaurant. I would like that.

To learn more about Susan Rich and her poetry, go here